Another week, another round of metal reviews in the bag. Words are tough, so we assembled the highlights. And if you want to read the latest reviews for the new offerings from Tomb Mold, Altarage, Bekor Qilish, Feral, Crawl, Ôros Kaù, and Undergang, you can do that too!
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Feral/Crawl – Made As Those Who Are No Longer Alive Review
“Where the Dead Flesh Whispers” is a perfect example of Swedeath I would like to hear more of, and if Crawl continue in this same Crust-meets-Grinding Death Metal vein for their upcoming album, it will be a worthwhile release. Feral, on the other hand… find out what grind Cosmo’s gears.
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Tomb Mold – The Enduring Spirit Review
What we get on The Enduring Spirit is certifiably fantastic, but I cannot say that I could have foreseen the direction Tomb Mold would take with this album – or that anyone could have, really. This new album utilizes the dichotomy between different textures, tonalities, timbres and moods like I haven´t heard a metal album do in quite a while. Dining on that fine mold.
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Altarage – Worst Case Scenario Review
Altarage have shifted the focus of their formula a bit more towards the War Metal and Grindcore aspects previously present in their work. There is some furious riffing here, that is overwhelming in one moment and commandingly grooving in the next. Best case scenario?
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Undergang – De syv stadier af fordærv Review
This short release contains seven prime cuts of Undergang, clocking in at a tight 21 minutes. If you’ve listened to this band before, specifically Misantropologi, then this EP feels like a direct continuation of that album. Take a listen, don’t let the meat spoil.
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Ôros Kaù – Thanatos Review
Right off the bat, the album opens with riffs that are meant to evoke the listener into a state of trance-like meditation. Album highlights include “Marbas” and “Dawn of the Red Scorpio”, two tracks that really emphasize the moments where this project excels: mixing furious Black Metal and ritualistic chant-singing that gets layered over the growls for a unique and welcome experience. Be careful not to get trapped in the trem-like… I mean trance-like state.
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Bekor Qilish – The Flesh Of A New God Review
The songs on The Flesh of a New God cycle through ideas like Blackened Death Metal à la Veilburner coupled with desperately hopeful synths that evoke Angelo Badalamenti, Jazz Fusion bits that recall their label mates Sarmat and Afterbirth-like left-field digressions into uplifting melodies. Voidhanger knows how to pick ’em this year. Now if just Billie Eilish would answer their call for a Bekor Qilish feat Billie Eilish collab…
Read moreThis Week in Metal, 2023 Week 36
Another week, another round of metal reviews in the bag. Words are tough, so we assembled the highlights. And if you want to read the latest reviews for the new offerings from Acausal Intrusion, Dying Fetus, THORN, Gridlink, Sylosis, and Wyrgher, you can do that too!
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Sylosis – A Sign of Things to Come Review
Metalcore was always present in Sylosis’ concoction of genres but it always tilted more towards the older Hardcore leaning bands. Opening song “Deadwood” is like an autostereogram of small amounts of Dyscarnate stomp and shouted Slipknot vocals that gradually come into focus in a Linkin Park refrain. But in the end, does it even matter? Find out in this review…
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Crypts of the Unknown: Loss – Horizonless
