Time marches ever forward and can not be escaped even if you are a time travelling satanic robot or a gigabrained astral space being. Nocturnus are an act that have shaped early extreme metal and progressive metal alike, being forerunners in larger scale writing in extreme metal. Read on as our Goat explores whether Nocturnus have managed to keep the beat.
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Folterkammer – Weibermacht Review
Now we’re not sure what is disturbing about a man whose face is being sat on unless one subscribes to the idea that sex is missionary only and only for the purpose of procreation. Here at Goat Review, we support lifestyles of all positions and indiscretions. Alice will let you know if you need to bust out your safe word for Weibermacht.
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Nuclear Tomb – Terror Labyrinthian Review
To get my thrash kick, I often have to look outside the genre to albums that merge a thrash influence into the band’s work, such as with Paladin, Hammers of Misfortune or Vektor. Not to be forgotten, Voivod were way ahead of the game in this regard, and they are relevant to newcomers Nuclear Tomb in just how much this band looks backward. Is our Gator looking forward to a good dose of atomic riffage?
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In Vain – Solemn Review
In Vain have always been a strange band. The degree to how extreme their blackened death metal outbursts can be is something that goes above the usual melodeath market. So sit down for a Norwegian weenie roast with our Metalligator and find out whether Solemn still serves hot.
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Veriteras – The Dark Horizon
Half of Veriteras’ sound is very like Dissection with vicious yet hummable tremolo melodies layered over double-bass abuse. The other half owes more to the stated influences of early In Flames and Kalmah. But does that mean you half to enjoy it? Well if you like melodeath…
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Venomous Echoes – Split Formations and Infinite Mania Review
Morbid Angel, Howls of Ebb, Esoctrilihum, Portal and Ulthar all are imitated during individual sections of Split Formations And Infinite Mania and Venomous Echoes usually do so in a tasteful manner, straddling the line between inspiration and pastiche overall rather successfully. I have heard all of this better elsewhere, but the combination and variety is pleasant, even at the risk of turning into needle drop death metal.
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Suffer – Grand Canvas of the Aesthete Review
Grand Canvas of the Aestethe sees no love lost on Carcassian Heartwork-isms thickened with the slime of grooves straight out of Morbid Angel’s Domination. When these two styles mix together successfully like the rasping vocal cadence over the grand death metal groove, Suffer may free you from this mortal coil. But do they earn a death (metal) certificate of success?
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Saturday Night Satan – All Things Black Review
All Things Black is more early Ghost than The Devil’s Blood and more Scooby Doo than it is The Omen. Something about the songs can be quite catchy and a lot of it sits in guilty pleasure territory. Deplorable or delicious, or both?
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Suldusk – Anthesis Review
When Emily Highfield released her debut Suldusk album Lunar Falls, Metalligator wasn’t particularly convinced. For its few harsh edges, the folk music did not particularly strike a chord, and the album just flowed by without making much of an impact. But Anthesis? What the folk happened here??
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Crypts of the Unknown: Capilla Ardiente – The Siege
