Leprous – Melodies of Atonement Review

For the better part of a decade, Leprous have become something of a parody of themselves. Increasingly pop-leaning and focusing on Einar Solberg’s voice, the band started to leave behind their once progressive writing somewhere between 2015’s The Congregation and 2017’s Malina. But when Melodies of Atonement arrives with an album cover and preview tracks that carry shades of their early work… well the road to atonement is loOOoooOOoooOooong.

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Feind – Ambulante Hirnamputation Review

Ever met an Icelandic black metal fan? You know the kind that insists that the origin of a band, despite the advancements in communication technology, fully informs their sound — transforming music into something akin to a champagne than an artistic discipline that can be studied, imitated, and paid homage to. No, of course you haven’t. That’s why you’re hear, ready to read a deathgrind review. Good taste comes to those who grind.

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