The factor that sets Varathron apart from other bands playing a similar style is the catchy, fun sound they give the listener. It’s hard not to pump your fist at “Immortalis Regnum Diaboli”. The Crimson Temple has opened its doors for the faithful. It’s up to you if you choose to worship at this altar or not. The Varathron Witnesses are knocking at your door.
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This Week In Metal, 2023 Week 47
Another week, another round of metal reviews in the bag. Words are tough, so we assembled the highlights. And if you want to read the latest reviews for the new offerings from Embrace Your Punishment, Laurel Halo, Demoncy, Walking Corpse, and Dead Times, you can do that too!
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Demoncy – Black Star Gnosis Review
A new challenger for “most boring black metal act in 2023” has entered the arena, however, and its name is Demoncy. An old school Black Metal band from the USA, Demoncy had a brief period of activity in the 1990s before vanishing for the better part of a decade until the early 2010s. Black Star Gnosis is their first outing on the modern juggernaut label of the underground, Dark Descent Records. Why won’t they reply to our asks for a victory speech?
Read moreThis Week In Metal, 2023 Week 46
Another week, another round of metal reviews in the bag. Words are tough, so we assembled the highlights. And if you want to read the latest reviews for the new offerings from Perky Macabre / SPÖoÖoKY STEVE, Mourn the Light, High Priest, Ice Howl, Archdruid, Ragana, SOL, Exulansis, and Midnight Odyssey, you can do that too!
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Exulansis – Overtures of Uprising Review
Doom isn’t for everyone. Nor is Doom that includes copious amount of chamber-influenced violin, rough ‘n’ tumble Blackened sprints, and sadperson, melodic crooning. But that’s exactly the overflowing platter of existential exploration that Oregon’s Exulansis deliver with Overtures of Uprising. Rise and eat up.
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Ragana – Desolation’s Flower Review
Creating music as a duo can present a paradoxical dynamic. It can be both easier, as there is only one other person to get in tune with, and more challenging when conflicts do arise, as the intricate interplay between two artistic visions will require a fine balance of compromise and creative synergy. Maria and Coley, the two members of Ragana, take turns on guitar, drums, and vocals, and since 2012 this approach has allowed them to maintain interest with their hybrid of unrefined Black/Doom Metal. Two hearts blast beat as one.
Read moreThis Week in Metal, 2023 Week 41
Another week, another round of metal reviews in the bag. Words are tough, so we assembled the highlights. And if you want to read the latest reviews for the new offerings from Stortregn, Baring Teeth, Afterbirth, Manbryne, and Vertebra Atlantis, you can do that too!
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Mānbryne – O próbie wiary i jarzmie zwątpienia Review
Interregnum seamlessly continues the sonic journey Mānbryne started on their debut album, delving deeper into melancholic tones, and culminating in an explosive finale. Cosmo might not have been fishing for a new addition to his end of year list when he got caught in Mānbryne’s hooks.
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Ashbringer – We Came Here to Grieve Review
Ashbringer sound like they come from this lineage of music, a Pitchfork-approved style of Post-Black Metal made popular by bands like Deafheaven. But the material on We Came Here to Grieve features a harsher edge than the scrapbooking album cover entails, mainly carried by the vocals. Still not kvlt enough for sunscreen.
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Crypts of the Unknown: Blunt Force Trauma – Vengeance for Nothing
