BDM as a genre is less of a monolith than most people think and there are nuances, and it is perfectly possible that the style of BDM that Putridity play doesn’t really connect with me all that much. This new EP, Greedy Gory Gluttony, is supposed to be a stroll through the past and showcase some of the best material Putridity have to offer. Not Greedy Gory and Gluttonous enough for this Goat?
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Nithing – Agonal Hymns Review
Nithing are a side and solo project by Vitriol’s drummer, Matt Kilner. Nithing could fall into a similar category as that band. That’s it. There’s Nithing more to say.
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Dehumanizing Itatrain Worship – Otakuslam♡Animecide Review
Most slam acts neither make any attempt at actually sounding good nor serve up anything listenable on purpose, aiming to induce cringe in the listener. Dehumanizing Itatrain Worship sticks out from the crowd by actually making not only listenable, but enjoyable Slam and doing it in a way where the irony enhances the experience, injecting Japanese Idol music and Anime samples into their Brutal Death Blend. Goat can’t tell you where the samples come from though… at least that’s what he says…
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Infecting the Swarm – Pulsing Coalescence Review
Infecting the Swarm claims to make music for fans of Disentomb, Defeated Sanity and Euphoric Defilement. Neither Disentomb nor Defeated Sanity comparisons apply fully. Rather, I feel the best comparison is likely Spain’s Wormed, whose dissonant, almost machine-like Brutal Death Metal approaches texture in a Brutal Death Metal context similarly to how Infecting the Swarm do it.
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Angelic Desolation – Orchestrionic Abortion Review
Here is a fun game for a party: Put on “Shake the Baby” off Angelic Desolation’s new album and take a shot each time the vocals or lyrics make you laugh. It takes one look at the song titles on Orchestrionic Abortion to discover that the band has a sense of humor that recalls that of a grindcore band.
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7 H. Target – Yantra Creating Review
It seems that it is a rite of passage for Tech Death acts to at some point play up the transcendental nature of their music. This usually manifests either as a Buddhist influence or more general Indian mysticism. 7 H. Target, Russian Slam weirdos, have now also committed to the trope. Are they on or off target?
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Crypts of the Unknown: 2024 Vol. 1
