Thy Catafalque – XII: A gyönyörü álmok ezután jönnek Review

With a long and spicy Hungarian title, XII: A gyönyörü álmok ezután jönnek is by all counts a folk album. It uses folk music as a basis for its rhythms in bright and airy compositions, filled with a large variety of vocals. It’s also a metal album, which is what it presents as at first with the heaviest compositions landing in the first third of the album.

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Thyrathen – Lakonic Review

“Thyrathen hail from Larissa, the birth place of Achilles, but have elected to honour a different group of the bloody-minded and bloody-handed with their second album, Lakonic. Laconia was home of the Spartans for those who don’t know, and as such, the name suggested I could expect some suitably belligerent, stripped back black metal.” If this is the case, Pete’s ears will rejoice, never to rumble in boredom again… if…

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Ploughshare – Second Wound Review

Albums sometimes communicate things to Scuttlegoat before he has even heard them. Sometimes this is done via the promo blurb telling him to be wary. Other times, a combination of album cover, album and track titles will tell him what to expect. While more casual metal listeners often sneer about anything that pushes beyond the 5 minute mark, to Scuttlegoat colossal song lengths might also communicate to seasoned metal listeners like himself that the album at hand is advanced listening or at least making an attempt at being a more profound, distinguished work.

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Veilburner – The Duality of Decapitation and Wisdom Review

The number seven often holds special significance in western culture; a significance that goes beyond intra-number cannibalism. Artists have at times tried to transport this mystique to musical composition. As standard Western musical scales already hold seven individual notes, many artists seem to have tried their hand at incorporating the number seven into their rhythmic framework. But has anyone ever tried cutting off its head?

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