This self titled release is decidedly mood based, as it makes use of droning beats and looping synths that sound like calm organ-led melodies to evoke a facsimile of Devotional music. Industrialized devotion.
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Ragana – Desolation’s Flower Review
Creating music as a duo can present a paradoxical dynamic. It can be both easier, as there is only one other person to get in tune with, and more challenging when conflicts do arise, as the intricate interplay between two artistic visions will require a fine balance of compromise and creative synergy. Maria and Coley, the two members of Ragana, take turns on guitar, drums, and vocals, and since 2012 this approach has allowed them to maintain interest with their hybrid of unrefined Black/Doom Metal. Two hearts blast beat as one.
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Perky Macabre / SPÖoÖoKY STEVE – Halloween Kills Review
Perky Macabre never changes and has seemingly no desire to. If his music is supposed to be a joke, the literal zero supporters on most of his EP’s suggest that no one finds it particularly funny, either. Maybe that is why I can’t get him out of my head. Perky man, get out of my room!
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The Lion’s Daughter – Bath House Review
Bath House is a rawer experience that leans less on the synths, although they are still there – meaner, producing uneasy sounds that often recalls a wounded animal whining out its pain in the distance. The mood the combined elements strike is overall good and there are some hefty highlights here and there. Will Croque throw this album out with the bath water?
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Autopsy – Ashes, Organs, Blood and Crypts Review
Autopsy have a new album and it is time for The Goat to, yet again, praise the band for doing the things he would criticize other acts for. Autopsy sticks to what they know, but with Ashes, Organs, Blood and Crypts coming out barely a year after their last, should The Goat be concerned? Well there are guts in his teeth…
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Wayfarer – American Gothic Review
Atmosphere in Wayfarer’s world is a consequence of understanding the history of the genres they decided to meld, rather than relying on samples or insisting on flavor where there is none, like so many Black Metal artists tend to do. Take a sip of American Gothic.
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Dreamwell – In My Saddest Dreams, I Am Beside You Review
If Screamo and elements of Math and Hardcore variety meets Post-Rock build-ups sounds like your idea of a bad gimmick, perhaps Dreamwell’s sophomore album, In My Saddest Dreams, I Am Beside You will come as a pleasant surprise. Hopefully as a good dream.
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Tardigrade Inferno – Burn the Circus Review
There are moments of clarity on Burn the Circus that show hints of potential. “Clockwork God”, for example, is an early highlight. Keyboards that sound like circus organs are used heavily, and it works, along with the frankly great riffs present. When Tardigrade Inferno lean into riffwriting, it shows their penchant for writing groovy, fun riffs. But in the end, will we find Cosmo nailed to the Ferris Wheel?
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Cirith Ungol – Dark Parade Review
The Dark Parade has the ideal kind of throwback production. The album feels organic, warm but natural. The worst tendencies of retro producers – too much reverb and artificially roughing up the production – are mostly eschewed. RAISE YOUR SWORD!
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Crypts of the Unknown: Loss – Horizonless
