Vertebra Atlantis – A Dialogue with the Eeriest Sublime Review

This year, Gramaglia has released the follow-up Vertebra Atlantis album, A Dialogue With the Eeriest Sublime. Combining harsh, gnarled riffs and hypnotic dreamscapes, this specific blend of Progressive Death Metal may just be his magnum opus. This album is not afraid to show some real backbone, so make sure you don’t leave it at the bottom of the ocean.

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Stortregn – Finitude Review

Stortregn produced my favorite record of 2021. Impermanence stands as what most Tech Death, and even fewer Melodic Death, Metal bands could not achieve—a Progressive album without using any of the tropes of the genre, forming instead full songs of smaller themes and motifs. I couldn’t tell you what the album was about—the cover art displaying Girardi’s patented space-bunghole lost all meaning years ago—but I surely felt it, on an emotional and intellectual level alike. Drink deeply of death metal and cosmic anus.

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Alkaloid – Numen Review

Alkaloid have not changed much of their formula of Morbid Angel meets Yes in 2023. New to the mix is a slight push towards Heavy Metal leads that crop up here and there, as seen in “A Fool’s Desire” that opens with some acoustics recalling Caprae Idolum’s Matches EP before mixing and matching Heavy Metal with Death Metal outbursts. It doesn’t have any viola da gamba though.

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Tomb Mold – The Enduring Spirit Review

What we get on The Enduring Spirit is certifiably fantastic, but I cannot say that I could have foreseen the direction Tomb Mold would take with this album – or that anyone could have, really. This new album utilizes the dichotomy between different textures, tonalities, timbres and moods like I haven´t heard a metal album do in quite a while. Dining on that fine mold.

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