Another week, another round of metal reviews in the bag. Words are tough, so we assembled the highlights. And if you want to read the latest reviews for the new offerings from Saturday Night Satan, Suldusk, Dionysiaque, Eden’s Decay, and Vorga, you can do that too!
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Vorga – Beyond the Palest Star Review
I was pretty excited when Vorga’s sophomore album was announced. Sporting another stellar cover art by Adam Burke, it looked to be a direct continuation of their debut. However, it seems that along the way, there were a few mishaps. Will their new output pale in comparison?
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Saturday Night Satan – All Things Black Review
All Things Black is more early Ghost than The Devil’s Blood and more Scooby Doo than it is The Omen. Something about the songs can be quite catchy and a lot of it sits in guilty pleasure territory. Deplorable or delicious, or both?
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Dionysiaque – Diogonos Review
Doom metal that is really progressive tends to be rare, and music bearing this tag will usually refer to a single outside influence that doesn’t make much of a mark on the whole. But Dionysiaque’s Diogonos is something different, without a doubt.
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Suldusk – Anthesis Review
When Emily Highfield released her debut Suldusk album Lunar Falls, Metalligator wasn’t particularly convinced. For its few harsh edges, the folk music did not particularly strike a chord, and the album just flowed by without making much of an impact. But Anthesis? What the folk happened here??
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Eden’s Decay – Innerfeind Review
I picked out Eden’s Decay because it sounded suitably dramatic and moody. I prepared myself to be underwhelmed, and hit play. From the first notes of Innerfeind though, I knew I had something—probably because it doesn’t sound much like what most people call melodeath. Perhaps sometimes blossoms spring from decay.
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Aberration – Refracture Review
Aberration specializes in caustic, spiteful blackened death metal that seeks to crush you into a paste over the runtime. The debut LP is akin to stepping up to bat for the first time, so, how far does Aberration knock the proverbial ball?
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Crypts of the Unknown: Bound and Gagged – Fornicate the Gutted
Have you ever come across an album that you enjoy, but seemingly no other human in existence knows about it? Or maybe an album that ticks all the boxes in a style that doesn’t get a lot of love? Oh, and of course, you’ve found this album long after it would have mattered to help the band spread the word… or perhaps it’s just your dirty little secret… Join us as Scuttlegoat reminisces on Bound and Gagged’s 2002 release Fornicate the Gutted. It may not be perfect, but how would you know?
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LVME – Of Sinful Nature Review
LVME’s take on black metal draws broadly from the many traditions within it. The classic tremolo and blastbeat approach is used to release the pressure created by shimmering dissonance and mid-paced ritualistic melodies. LVME is easy to love.
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Crypts of the Unknown: 2024 Vol. 1
