Broken Sword, Rotten Shield is the newest entry in Full of Hell’s eclectic musical canon. In a way, it’s a continuation of the bands previous record, which explored more noise rock-oriented textures inspired by ’90s outfits like Helmet or The Jesus Lizard. Hopefully the Helmet works too… cause the sword and shield certainly ain’t gonna cut it.
Read moreAct of Impalement – Profane Altar Review
2025 has, to put it bluntly, fucking sucked for me and while I’m actively working towards improving my situation, I’ve searched for music to fill that anger. It’s been a very successful quest, and I keep finding new gems to become a vital part of my rotation as a result. Today’s act is one such example: Tennessee based death metal juggernaut Act of Impalement.
Read moreLandfilth – CONTROL Review
For the real amount of gains, Scuttlegoat need something loud, bassy. Something with a lack of nuance and constant aggressive dynamics. Oh, and it must be good, too.
Read moreMinistry – The Squirrely Years Revisited Review
As a musician, sometimes you get high. Sometimes your name is Al. And sometimes you listen to one of your early albums—only to find yourself holding a new version of it with a cover featuring a squirrel with a raging boner.
Read moreVacant Moley – The Programmed Obsolescence of Your Kind Review
Dripping has not done much since the cult release Disintegration of Thought Patterns During a Synthetic Mind Traveling Bliss, although a single released just last year might suggest that more new music is on the horizon — a beautiful side effect of the internet age is that cult classics can be revived and live on. The musicians have not been lazy, either way. Or rather, Ed Morris, a relatively new addition to Dripping who now seems to be one of its main creative forces, has not. Vacant Moley is a solo project by Morris that, in any way but name, just seems like more Dripping. Glaze us, weirdo slam daddy.
Read moreRitual Ascension – Profanation of the Adamic Covenant Review
Perched on a wobbly table, Cosmo clutches his peppermint mocha like a sacred relic. He lifts it skyward, eyes blazing with caffeinated conviction, and whispers with holy reverence, ‘Ritual Ascension… the bolo tie of Minnesota.’
Read moreTower – Let There Be Dark Review
Facing his computer clad in a sexy troubadour cosplay, Goat can no longer deny who he is — he loves female fronted trad metal. The only thing that can tear his eyes away from Stacey Savage is another female fronted band. Sarabeth Linden from Tower steals the stage, let there be female fronted trad metal!
Read moreSavage Master – Dark and Dangerous Review
Savage Master has a female vocalist, Stacey Savage. Stacey Savage sits front and center more and more with every album that they release. Stacey Savage wears a snow white cosplay on the cover. The Goat is not sure that Stacey Savage has quite earned all this attention, though.
Read moreDissocia – To Lift the Veil Review
How a genre that is built on experimentation and outside the box songwriting ends up sounding all the same and using the same tricks just baffles me. But once in a while, an act shows up and makes me pay attention because of their knack for individual expression. Did Dissocia just look at the handbook and throw it out the window?
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