Our cranky gator found Lor back in 2020, but what will Lor’s bassist’s solo project Orchid Throne do for him? Find out here.
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Enduring Revery – Rhythmic Reciprocity Review
The mix of genres and general feel of Carrier is still here, but Gibson has this time opted for a slightly leaner experience and focused on making some of the songs tighter in progression and intent.
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Unsouling – Outward Streams Of Devotional Woe Review
There are many, many black/death metal bands. There are few of them claiming to incorporate the calm, contemplative somberness of darkwave into that. Can unsealing pull it off, or will Peat get gaslit again?
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Morke – To Carry On Review
As Obsequiae have proved, flavoring your metal with some medievalism works. Now Morke’s mastermind Eric Wing is seeking to carry on growing that new tradition with their fourth album To Carry On. Time to dust off your chainmail and give this a spin.
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Krigsgrav – Stormcaller Review
“Stormcaller jumps from genre to genre as the mood takes it, and it is highly impressive how seamless those jumps are”, Anti-Peat jots down in his notebook stained with metal salad and dirt from Texan trenches, wishing someone would just shoot at him through the thick atmosphere.
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Full of Hell – Broken Sword, Rotten Shield Review
Broken Sword, Rotten Shield is the newest entry in Full of Hell’s eclectic musical canon. In a way, it’s a continuation of the bands previous record, which explored more noise rock-oriented textures inspired by ’90s outfits like Helmet or The Jesus Lizard. Hopefully the Helmet works too… cause the sword and shield certainly ain’t gonna cut it.
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Act of Impalement – Profane Altar Review
2025 has, to put it bluntly, fucking sucked for me and while I’m actively working towards improving my situation, I’ve searched for music to fill that anger. It’s been a very successful quest, and I keep finding new gems to become a vital part of my rotation as a result. Today’s act is one such example: Tennessee based death metal juggernaut Act of Impalement.
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Landfilth – CONTROL Review
For the real amount of gains, Scuttlegoat need something loud, bassy. Something with a lack of nuance and constant aggressive dynamics. Oh, and it must be good, too.
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Ministry – The Squirrely Years Revisited Review
As a musician, sometimes you get high. Sometimes your name is Al. And sometimes you listen to one of your early albums—only to find yourself holding a new version of it with a cover featuring a squirrel with a raging boner.
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Crypts of the Unknown: 2024 Vol. 1
