While most of the band seems to just deliver about the bare minimum, George “Corpsegrinder” Fisher’s minimum is still higher than what most vocalists deliver. Fisher is not the flashiest vocalist and has a certain tone he sticks with, but it is his delivery and phrasing as a kind of master of ceremony that elevates some songs. Enjoyment horrific?
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Putrascension – Forever Below Review
The real highlight on this album is easily Michael Gonçalves (Replicant, Windfaerer). His vocals are absolutely unhinged, giving him a demonic edge that works so well in this style of music. His rabid shrieks, howls, and moans are reasons why it’s easy to come back to the album time and again. A few shrieks to cure the mid-week blues.
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Ashbringer – We Came Here to Grieve Review
Ashbringer sound like they come from this lineage of music, a Pitchfork-approved style of Post-Black Metal made popular by bands like Deafheaven. But the material on We Came Here to Grieve features a harsher edge than the scrapbooking album cover entails, mainly carried by the vocals. Still not kvlt enough for sunscreen.
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Courtney Gains – Safe Haven Review
Gains claim to fame is mainly being a child or teen actor in the 80s, starring in noteworthy supporting roles in films such as Children of the Corn or Back to the Future. Music is, however, more of a footnote in Gains’ career as his biggest musical claim to fame is that he once played live with Jam outfit Phish. What does Gains’ have to offer and how does it connect to his prior work as an actor? Some Gains, some lose?
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Uada – Crepuscule Natura Review
The songs on here are for the most part quite fun, with “The Dark (Winter)” and “Retraversing the Void” being standouts. Each of these tracks showcase Uada’s strengths: tight riffs, strong vocals, and a captivating atmosphere. But is it enough to evoke high praise from Cosmo?
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Fabricant – Drudge To The Thicket Review
While the base is the skronky, fluid yet groove oriented Death Metal of Demilich, other influences make Fabricant have enough of an identity to be worthwhile and have staying power.
The unpredictable nature of the material is one of the albums biggest strengths and it makes sense that the album begins and ends on its most extravagant tracks. Obviously Fabri-can.
Dying Fetus – Make Them Beg For Death Review
“Feast of Ashes”, with probably the best solo on the record, immediately trading moods with the grindiest track on the album, “Throw them in the Van” shows that Dying Fetus still knows how it’s done. That track in particular demonstrates that the band has not forgotten its roots and a quick grinder like that is something the band would’ve likely eschewed on their last two outings. Dying Fetus won’t allow you to become a dying fanboy.
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THORN – Evergloom Review
Peering behind the intricate layering of instruments, different reverbs and generally murky production is often a band whose sound appears barbaric and violent. Evergloom indeed gets much better as it goes along and THORN has a good grasp of when to pull back the murk from time to time. Every thorn has its glee.
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Gridlink – Coronet Juniper Review
Our Metalligator says Coronet Juniper is about to punch you in the face. While our Alice says that Coronet Juniper comes out the gates swinging with songs that stand shoulder to shoulder with Longhena’s best. This was never going to be a normal review for our Gridlink hopeful writers, so feast on two different takes of Gridlink’s latest. You’ll be drunk on Grind in no time!
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Crypts of the Unknown: Capilla Ardiente – The Siege
