The Anchoret squanders their potential for enjoyment by sounding both too much like Opeth and not enough like Opeth. It is baffling to Croque that a lot of the bands that form to make Progressive music decide on taking on an established sound of how this genre “should” sound like—like Opeth that is! Opeth!
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Arkona – Kob’ Review
Arkona’s 2018 album Khram really impressed Cosmo. Now, five years later, they return with Kob’. Can they impress the easily impressed Cosmo again?
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Sarmat – Determined to Strike Review
After Sarmat’s debut EP surprisingly contained a Pokémon theme cover (and low-key blew my mind in the process), I had high hopes that the full-length would repeat this in a similarly sneaky way. Would other video game themes be covered, possibly similarly obscure ones? Gotta strike ’em all?
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Nithing – Agonal Hymns Review
Nithing are a side and solo project by Vitriol’s drummer, Matt Kilner. Nithing could fall into a similar category as that band. That’s it. There’s Nithing more to say.
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Anubis Gate – Interference Review
Interference arrives after a mildly interesting covers album and six years of Anubis Gate-less space, leaving Metalligator apprehensive. Yet the new songs sees them trying some new things and puts a finger on how unique they are in the overly polished progressive metal scene. Polished, but perfect?
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Torture Rack – Primeval Onslaught
Torture Rack are in the lineage of bands like Undergang for sure. Their music has a slight hardcore bent and ultimately just revolves around beating people up aurally. Itching for a good beating?
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Kalmah – Kalmah Review
It was only during a short stint with a local melodeath band that Scuttlegoat decided to reevaluate his bias towards the melodic death metal and gave Kalmah another chance. Did the Finns convince him?
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Garoted – Bewitchment of the Dark Ages Review
Garoted was a completely unknown band to me prior to listening to their newest album, and I’m glad I picked this up. Featured prominently on […]
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Vide – The Parish Review
An anonymous one person black metal band (haven’t seen one of these before) from Louisiana, Vide self-describes their style as “Raw Post Black Metal”. Normally […]
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Crypts of the Unknown: Lorn – Arrayed Claws
