Another week, another round of metal reviews in the bag. Words are tough, so we assembled the highlights. And if you want to read the latest reviews for the new offerings from Eldingar, Black Curse, Ploughshare, Veilburner, and Carnosus, you can do that too!
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Carnosus – Wormtales Review
In the spirit of broadening my horizons I decided to dip my toes into melodeath waters. While I am not a huge fan of the genre, there are some standout albums I like. Unfortunately, Bobo found out the melo waters were a lot less worm than expected the hard way.
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Ploughshare – Second Wound Review
Albums sometimes communicate things to Scuttlegoat before he has even heard them. Sometimes this is done via the promo blurb telling him to be wary. Other times, a combination of album cover, album and track titles will tell him what to expect. While more casual metal listeners often sneer about anything that pushes beyond the 5 minute mark, to Scuttlegoat colossal song lengths might also communicate to seasoned metal listeners like himself that the album at hand is advanced listening or at least making an attempt at being a more profound, distinguished work.
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Veilburner – The Duality of Decapitation and Wisdom Review
The number seven often holds special significance in western culture; a significance that goes beyond intra-number cannibalism. Artists have at times tried to transport this mystique to musical composition. As standard Western musical scales already hold seven individual notes, many artists seem to have tried their hand at incorporating the number seven into their rhythmic framework. But has anyone ever tried cutting off its head?
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Black Curse – Burning in Celestial Poison Review
Black Curse had huge shoes to fill with sophomore album Burning in Celestial Poison, as the sophomore hump is the true test for bands to prove that they’re not a once-and-done affair. Thankfully, Burning in Celestial Poison not only surpasses the hump, but makes every other war metal album released this year appear as threatening as pool noodles in terms of sheer aggression and vitriol. So grab your pool noodles, we’re going to war!
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Eldingar – Lysistrata Review
When Peat see names and album art that suggests a band has an interest in old European history, Peat — after a sad necessity of background checking — takes a look. And when a band, like Eldingar do on their second album Lysistrata, says they’re drawing on black metal, folk, and melodeath, he hits play. You can bait a Peat with melodeath, but can you make him purr?
Read moreThis Week In Metal, 2024 Week 45
Another week, another round of metal reviews in the bag. Words are tough, so we assembled the highlights. And if you want to read the latest reviews for the new offerings from The Black Dahlia Murder, Iotunn, Swallow the Sun, Ephialtes, and Morticide, you can do that too! Melodeath for all!
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The Black Dahlia Murder – Servitude Review
For newcomers, Servitude serves up the same kind of cutthroat melodic death metal that this band has been putting out for shy over 20 years now, with a sound that bleeds in colors of Carcass and At the Gates, among others. Fans will find a good album that harkens back to the sound of albums like Nocturnal. The Black Dahlia Murder are very much still alive.
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Ephialtes – Melas Oneiros Review
Most of us started something new during the Covid pandemic. Polish scene veteran Quazarre (Devilish Impressions, Asgaard, Crionics) started another band and called it Ephialtes after the Ancient Greek word for nightmare. He then doubled down on it by calling the debut album Melas Oneiros, which means black dream, or nightmare. It’s not everyday someone is so considerate as to make their thematic inspirations so clear.
Read moreUnlock the Krypts
Crypts of the Unknown: Bound and Gagged – Fornicate the Gutted
