Bleed on My Teeth is a relentless assault on the senses, a sonic maelstrom that threatens to consume all in its path. British band Adorior‘s third full-length is a masterclass in chaos and destruction, with vocals from Melissa Gray aka Jaded Lungs that defy reason and convention.
The guitar work is a highlight, with a combination of pure black/death riffs and thrash leads that recall the old Slayer in all their glory. The solos are scattered throughout the album like land mines, waiting to detonate at any moment and send the listener reeling. The heavy riffs themselves are relentless, pounding out a rhythm that’s as aggressive as it is infectious. But it’s the vocals that really set Bleed on My Teeth apart. Gray‘s unhinged performance is a marvel of contrasts, shifting seamlessly from screams to clean shouts in the blink of an eye. Her “fuck yes” moments capture the raw enthusiasm and energy of the music. And then there are the slips into cleans that add a layer of weird madness to the whole package.
The mix of blackened death and thrash is unique and captivating, with a tempo that swings wildly between a march-like stomp and a frenetic assault. “Ophidian Strike”, the second track on the album, is the strongest representation of the band’s style. It’s a testament to Adorior‘s skill that they can maintain this level of intensity throughout, never losing steam even when the tracks drag on a bit too long. When the band slows down, like on “Precipice of Fire”, it’s like taking a deep breath before the next wave of sonic destruction hits. And it hits, again and again, until you’re left gasping for air. Bleed on My Teeth is an album that demands your full attention, its sheer energy and aggression making it impossible to look away.
Adorior have created something special here — a musical maelstrom that’s equal parts beautiful and terrifying. If you’re ready to have your senses shattered, then Bleed on My Teeth is the album for you. But be warned: once you enter this sonic underworld, there’s no turning back.