Formed last year by Undeath vocalist Alexander Jones and Liam McMahon, Sulfuric Hatred try to establish a sense of identity in the swamp of other War Metal bands by adding dash of stompy Hardcore to their potent concoction. This most extreme sect of Black/Death Metal is one of the most tricky to navigate due to an obscenely large amount of far-right leaning or otherwise disclaimer-worthy bands. Luckily, Sulfuric Hatred is not one of these. We reserve the disclaimers for the black metal bands.
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Jarhead Fertilizer – Carceral Warfare Review
Filth. Filth is to the modern Death Metal fan what atmosphere is to the Black Metal Fan. Often, the sales pitch I get from non-reviewers is that an album is “seriously filthy”. As a descriptor, this helps very little in describing an albums sound, but it is even less conductive in referring to the writing of an album, which I ultimately put more emphasis on as a reviewer than sound. Don’t take a shower yet, you still have to read the review!!
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Sublation – On the Advancement of Decay Review
The guitar solos in “Born Out of a Whim” and “Like a Fire That Consumes All Before It” are very fun and inject an extra bit of “oomph” into the songs that would be devoid of substance without them. On the advancement of OOMPH!
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Undulation – An Unhealthy Interest in Suffering Review
Undulation got cred from the hipster-ish side of the metal internet, and they frankly do check out all the boxes. For a Death Metal Band, they are more emotionally driven and the female vocalist does a lot to sell it. Scuttlegoat has an unhealthy interest in Death Metal.
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Dead Times – Dead Times Review
This self titled release is decidedly mood based, as it makes use of droning beats and looping synths that sound like calm organ-led melodies to evoke a facsimile of Devotional music. Industrialized devotion.
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Laurel Halo – Atlas Review
Do you need a palate cleanser after listening to all that Vortexectomy, Parasitic Ejaculation and Cattle Decapitation? Then I present to you, Laurel Halo, the musician behind Atlas, one of the best ambient records of 2023. “Ugh, ambient” you might say, but don’t be so quick to dismiss this beautiful and apprehensive kaleidoscope of sounds. Take a walk on the mild side.
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Exulansis – Overtures of Uprising Review
Doom isn’t for everyone. Nor is Doom that includes copious amount of chamber-influenced violin, rough ‘n’ tumble Blackened sprints, and sadperson, melodic crooning. But that’s exactly the overflowing platter of existential exploration that Oregon’s Exulansis deliver with Overtures of Uprising. Rise and eat up.
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Ragana – Desolation’s Flower Review
Creating music as a duo can present a paradoxical dynamic. It can be both easier, as there is only one other person to get in tune with, and more challenging when conflicts do arise, as the intricate interplay between two artistic visions will require a fine balance of compromise and creative synergy. Maria and Coley, the two members of Ragana, take turns on guitar, drums, and vocals, and since 2012 this approach has allowed them to maintain interest with their hybrid of unrefined Black/Doom Metal. Two hearts blast beat as one.
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Perky Macabre / SPÖoÖoKY STEVE – Halloween Kills Review
Perky Macabre never changes and has seemingly no desire to. If his music is supposed to be a joke, the literal zero supporters on most of his EP’s suggest that no one finds it particularly funny, either. Maybe that is why I can’t get him out of my head. Perky man, get out of my room!
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Crypts of the Unknown: Loss – Horizonless
