Our This Week in Metal post collects our thoughts on music released in or around this week in the music world. We cover mostly metal, but we consider other genres to allow our writers poseur flexibility. Follow us on Instagram too!
Scuttle Goat's Curmudgeonly Critiques
It is no surprise to me that an album like Disfiguring The Goddess’ newest, The Brutal Machine, has not made waves. The concoction of popular electronic music with Deathcore doesn´t really seem like the thing that the most kvlt among metal elitists would champion, even though it appears similarly extravagant. Time for some brutal reviewer machine.
Even when Seraphic Entombment can´t break out of their own framework within a song, there is some slight variation and mood shift. Particularly the two shorter songs breathe some life into the album in how they seem faster and more riff oriented. Maybe some additional CPR is required.
Metalligator's Chomping Commentaries
Depressive explorations of death is nothing new for Shining, but there lies a somber feeling over SHINING that is hard to miss: the growing isolation of age and eventual death of everything you know. A shining example of depressive extreme metal.
What makes much of this material stick is that Steven Wilson is meticulous at sound production and getting a live feel out of the instruments. Mixing this with the Electronic focus of many of these songs makes for some music that operates, production-wise, on a level that is unusual today. Sometimes the future doesn't bite.
Cosmo's Chaotic Curveball
Arborescence of Wrath, a band adorned with members of Origin and Marduk, ventures into the realm of Technical Brutal Death Metal with their debut. Will their music soar above the sea of mediocrity, or drown into the pool of lacklustre blastfests?
